Without sound quality - specifically in new media including streamings and recordings - contemporary art organisations stand little chance of entering into a broader public awareness. This is especially relevant in regard to the symphonic orchestras and a growing diversity of artistic projects balancing different genres. It is then crucial to reach the acoustic potential of a concert hall as well as the tones of individual instruments. This affects listeners directly and stands for an overall acoustic ecology.
M.M.M. PlatformM.M.M. Registration Form
This module is addressed to: aspiring sound designers, emerging engineers and practicing technians who wish to consolidate knowledge of sound design, practitioners who wish to systemitize theoretical/ technical aspects of sound engineering.

Candidates interested in applying will provide: a current CV, a short support statement and a sample of a musical recording from their portfolio (any genre, duration up to 3 min.)

Read more
This module will cover definitions of sound design and how it is applied in different media, amplification in computer-aided music, classical ensemble recording, microphone techniques and mix, classical, jazz and pop recording, mastering classical and pop stereo music for streaming, audio video encoding, sound in installations.

Who will you learn with? Meet your Tutors

Read more
Duration: 5 weeks, approx. 2h per week

Start date: Monday 24/05

Webinar schedule*: Mondays @ 2pm-4pm CET
Monday 24/05
Monday 31/05
Monday 07/06
Monday 14/06
Monday 21/06

*The webinar schedule is subject to minor changes.

Class format: online courses will take place in real time including elements of interaction with your tutors.

Certificate: At the end of the course you will receive a Certificate of Completion.

Read more